Перевод: с латинского на все языки

со всех языков на латинский

the original will

  • 1 authenticum

    authentĭcus, a, um, adj., = authentikos, that comes from the author, authentic, original, genuine (in the jurists and Church fathers;

    syn.: verus, germanus): testamentum,

    the original will, Dig. 29, 3, 12:

    tabulae, the same,

    ib. 10, 2, 4.—Also subst.: authentĭcum, i, n., the original writing, the original, Dig. 22, 4, 2.

    Lewis & Short latin dictionary > authenticum

  • 2 authenticus

    authentĭcus, a, um, adj., = authentikos, that comes from the author, authentic, original, genuine (in the jurists and Church fathers;

    syn.: verus, germanus): testamentum,

    the original will, Dig. 29, 3, 12:

    tabulae, the same,

    ib. 10, 2, 4.—Also subst.: authentĭcum, i, n., the original writing, the original, Dig. 22, 4, 2.

    Lewis & Short latin dictionary > authenticus

  • 3 D

    D, d (n. indecl., sometimes f. sc. littera), the flat dental mute, corresponding in character and sound to the English d and the Greek D, was the fourth letter of the Latin alphabet, and was called de: Ter. Maur. p. 2385 P., Auson. Idyll. 12, de Litt. Monos. 14. But at the end of a syllable, or after another consonant, its sound was sharpened, so that the grammarians often discuss the question whether d or t should be written, especially in conjunctions and prepositions. Illa quoque servata est a multis differentia, ut ad cum esset praepositio, d litteram, cum autem conjunctio, t acciperet (Quint. 1, 7, 5; cf. id. 1, 4, 16). Hence we may infer that some disputed this distinction, and that the sounds of ad and at must at least have been very similar (cf. also Terent. Scaur. p. 2250, Vel. Long. p. 2230 sq., Cassiod. p. 2287, 2291). Thus also aput, it, quit, quot, aliut, set, haut are found for apud, id, quid, quod, aliud, sed, haud. It would appear from the remarks of these authors that the last two words in particular, having a proclitic character, while they distinctly retained the d sound before an initial vowel in the following word, were pronounced before a consonant almost as set, haut (Mar. Vict. p. 2462 P., Vel. Long. l. l. v. Corss. Ausspr. 1, 191 sq.). The use of t for d in the middle of a word, as Alexenter for Alexander, atnato for adnato, is very rare (cf. Wordsworth, Fragm. p. 486 sq.). On the other hand, the use of d for t, which sometimes appears in MSS. and inscrr., as ed, capud, essed, inquid (all of which occur in the Cod. palimps. of Cic. Rep.), adque, quodannis, sicud, etc., fecid, reliquid, etc. (all in inscriptions after the Augustan period), is to be ascribed to a later phonetic softening (cf. Corss. Ausspr. 1, 191 sq.).
    II.
    As an initial, the letter d, in pure Latin words, suffers only a vowel after it; the single consonantal compound dr being found only in borrowed words, such as drama, Drusus, Druidae, etc., and in the two onomatopees drenso and drindio. Accordingly, the d of the initial dv, from du, was rejected, and the remaining v either retained unaltered (as in v iginti for du iginti; cf. triginta) or changed into b (as in b ellum, b is, b onus, for du ellum, du is, du onus; v. those words and the letter B). So too in and after the 4th century A.D., di before vowels was pronounced like j (cf. J ovis for Dj ovis, and J anus for Di anus); and hence, as the Greek di ( di) passed into dz, i. e. z (as in z a for d ia, and z eta for di aeta), we sometimes find the same name written in two or three ways, as Diabolenus, Jabolenus, Zabolenus; Jadera, Diadora, Zara. In many Greek words, however, which originally began with a y sound, d was prefixed by an instinctive effort to avoid a disagreeable utterance, just as in English the initial j has regularly assumed the sound of dj: thus Gr. zugon, i. e. diugon = L. jugum; and in such cases the d sound has been prefixed in Greek, not lost in Latin and other languages (v. Curt. Griech. Etym. p. 608 sq.).b. As a medial, d before most consonants undergoes assimilation; v. ad, no. II.; assum, init., and cf. iccirco, quippiam, quicquam, for idcirco, quidpiam, quidquam; and in contractions like cette from cedite, pelluviae from pediluviae, sella from sedela. In contractions, however, the d is sometimes dropped and a compensation effected by lengthening the preceding vowel, as scāla for scand-la. D before endings which begin with s was suppressed, as pes from ped-s, lapis from lapid-s, frons from frond-s, rasi from radsi, risi from rid-si, lusi from lud-si, clausi from claud-si; but in the second and third roots of cedo, and in the third roots of some other verbs, d is assimilated, as cessi, cessum, fossum, etc. D is also omitted before s in composition when another consonant follows the s, as ascendo, aspicio, asto, astringo, and so also before the nasal gn in agnatus, agnitus, and agnosco, from gnatus, etc.: but in other combinations it is assimilated, as assentio, acclamo, accresco; affligo, affrico; agglomero, aggrego; applico, approbo, etc. In tentum, from tendo, d is dropped to avoid the combination ndt or ntt, since euphony forbids a consonant to be doubled after another.g. Final d stood only in ad, apud, sed, and in the neuter pronouns quid, quod, illud, istud, and aliud, anciently alid. Otherwise, the ending d was considered barbarous, Prisc. p. 686 P.
    III.
    The letter d represents regularly an original Indo-Germanic d, in Greek d, but which in German becomes z, in Gothic t, and in Anglo-Saxon t: cf. Gr. hêdomai, Sanscr. svad, Germ. süss, Angl.-Sax. svēte (sweet), with Lat. suadeo; domare with Gr. damaô, Germ. zähmen, Eng. tame; domus with demô, timber, O. H. Germ. zimber; duo with duô, zwei, two. But it is also interchanged with other sounds, and thus sometimes represents—
    1.
    An original t: mendax from mentior; quadraginta, quadra, etc., from quatuor.—
    2.
    An original r: ar and ad; apur or apor and apud; meridies and medidies, audio and auris; cf. arbiter, from ad-beto; arcesso for ad-cesso.—
    3.
    An original l: adeps, Gr. aleipha; dacrima and lacrima, dingua and lingua; cf. on the contrary, olere for odere, consilium and considere, Ulixes from Odusseus (v. Corss. Ausspr. 1, 223).—
    4.
    An original s: Claudius, from the Sabine Clausus, medius and misos; and, on the contrary, rosa and rhodon. —
    5.
    A Greek th: fides, pistis; gaudere, gêtheô; vad-i-monium (from va-d-s, vadis), aethlon.
    IV.
    In the oldest period of the language d was the ending of the ablat. sing. and of the adverbs which were originally ablatives (cf. Ritschl, Neue Plaut. Excur. I.; Brix ad Plaut. Trin. Prol. 10): pu CNANDO, MARID, DICTATORED, IN ALTOD MARID, NAVALED PRAEDAD on the Col. Rostr.; DE SENATVOS SENTENTIAD (thrice) IN OQVOLTOD, IN POPLICOD, IN PREIVATOD, IN COVENTIONID, and the adverbs SVPRAD SCRIPTVM EST (thrice), EXSTRAD QVAM SEI, and even EXSTRAD VRBEM, in S. C. de Bacch. So intra-d, ultra-d, citra-d, contra-d, infra-d, supra-d; contro-d, intro-d, etc.; and probably interea-d, postea-d. Here too belongs, no doubt, the adverb FACILVMED, found in the last-mentioned inscription. But this use of the d became antiquated during the 3d century B.C., and is not found at all in any inscription after 186 B. C. Plautus seems to have used or omitted it at will (Ritschl, Neue Plaut. Excurs. p. 18: Corss. Ausspr. 1, 197; 2, 1008).
    2.
    D final was also anciently found—
    a.
    In the accus. sing. of the personal pronouns med, ted, sed: INTER SED CONIOVRASE and INTER SED DEDISE, for inter se conjuravisse and inter se dedisse, in the S. C. de Bacch. This usage was retained, at least as a license of verse, when the next word began with a vowel, even in the time of Plautus. But in the classic period this d no longer appears. —
    b.
    In the imperative mood;

    as estod,

    Fest. p. 230. The Oscan language retained this ending (v. Corss. Ausspr. 1, 206).—
    c.
    In the preposition se-, originally identical with the conjunction sed (it is retained in the compound seditio); also in red-, prod-, antid-, postid-, etc. ( redire, prodire, etc.); and in these words, too, it is a remnant of the ancient characteristic of the ablative (v. Corss. Ausspr. 1, 200 sq.; Roby, Lat. Gr. 1, 49).
    V.
    As an abbreviation, D usually stands for the praenomen Decimus; also for Deus, Divus, Dominus, Decurio, etc.; over epitaphs, D. M. = Diis Manibus; over temple inscriptions, D. O. M. = Deo Optimo Maxumo; in the titles of the later emperors, D. N. = Dominus Noster, and DD. NN. = Domini Nostri. Before dates of letters, D signified dabam, and also dies; hence, a. d. = ante diem; in offerings to the gods, D. D. = dono or donum dedit; D. D. D. = dat, dicat, dedicat, etc. Cf. Orell. Inscr. II. p. 457 sq.
    The Romans denoted the number 500 by D; but the character was then regarded, not as a letter, but as half of the original Tuscan numeral (or CI[C ]) for 1000.

    Lewis & Short latin dictionary > D

  • 4 d

    D, d (n. indecl., sometimes f. sc. littera), the flat dental mute, corresponding in character and sound to the English d and the Greek D, was the fourth letter of the Latin alphabet, and was called de: Ter. Maur. p. 2385 P., Auson. Idyll. 12, de Litt. Monos. 14. But at the end of a syllable, or after another consonant, its sound was sharpened, so that the grammarians often discuss the question whether d or t should be written, especially in conjunctions and prepositions. Illa quoque servata est a multis differentia, ut ad cum esset praepositio, d litteram, cum autem conjunctio, t acciperet (Quint. 1, 7, 5; cf. id. 1, 4, 16). Hence we may infer that some disputed this distinction, and that the sounds of ad and at must at least have been very similar (cf. also Terent. Scaur. p. 2250, Vel. Long. p. 2230 sq., Cassiod. p. 2287, 2291). Thus also aput, it, quit, quot, aliut, set, haut are found for apud, id, quid, quod, aliud, sed, haud. It would appear from the remarks of these authors that the last two words in particular, having a proclitic character, while they distinctly retained the d sound before an initial vowel in the following word, were pronounced before a consonant almost as set, haut (Mar. Vict. p. 2462 P., Vel. Long. l. l. v. Corss. Ausspr. 1, 191 sq.). The use of t for d in the middle of a word, as Alexenter for Alexander, atnato for adnato, is very rare (cf. Wordsworth, Fragm. p. 486 sq.). On the other hand, the use of d for t, which sometimes appears in MSS. and inscrr., as ed, capud, essed, inquid (all of which occur in the Cod. palimps. of Cic. Rep.), adque, quodannis, sicud, etc., fecid, reliquid, etc. (all in inscriptions after the Augustan period), is to be ascribed to a later phonetic softening (cf. Corss. Ausspr. 1, 191 sq.).
    II.
    As an initial, the letter d, in pure Latin words, suffers only a vowel after it; the single consonantal compound dr being found only in borrowed words, such as drama, Drusus, Druidae, etc., and in the two onomatopees drenso and drindio. Accordingly, the d of the initial dv, from du, was rejected, and the remaining v either retained unaltered (as in v iginti for du iginti; cf. triginta) or changed into b (as in b ellum, b is, b onus, for du ellum, du is, du onus; v. those words and the letter B). So too in and after the 4th century A.D., di before vowels was pronounced like j (cf. J ovis for Dj ovis, and J anus for Di anus); and hence, as the Greek di ( di) passed into dz, i. e. z (as in z a for d ia, and z eta for di aeta), we sometimes find the same name written in two or three ways, as Diabolenus, Jabolenus, Zabolenus; Jadera, Diadora, Zara. In many Greek words, however, which originally began with a y sound, d was prefixed by an instinctive effort to avoid a disagreeable utterance, just as in English the initial j has regularly assumed the sound of dj: thus Gr. zugon, i. e. diugon = L. jugum; and in such cases the d sound has been prefixed in Greek, not lost in Latin and other languages (v. Curt. Griech. Etym. p. 608 sq.).b. As a medial, d before most consonants undergoes assimilation; v. ad, no. II.; assum, init., and cf. iccirco, quippiam, quicquam, for idcirco, quidpiam, quidquam; and in contractions like cette from cedite, pelluviae from pediluviae, sella from sedela. In contractions, however, the d is sometimes dropped and a compensation effected by lengthening the preceding vowel, as scāla for scand-la. D before endings which begin with s was suppressed, as pes from ped-s, lapis from lapid-s, frons from frond-s, rasi from radsi, risi from rid-si, lusi from lud-si, clausi from claud-si; but in the second and third roots of cedo, and in the third roots of some other verbs, d is assimilated, as cessi, cessum, fossum, etc. D is also omitted before s in composition when another consonant follows the s, as ascendo, aspicio, asto, astringo, and so also before the nasal gn in agnatus, agnitus, and agnosco, from gnatus, etc.: but in other combinations it is assimilated, as assentio, acclamo, accresco; affligo, affrico; agglomero, aggrego; applico, approbo, etc. In tentum, from tendo, d is dropped to avoid the combination ndt or ntt, since euphony forbids a consonant to be doubled after another.g. Final d stood only in ad, apud, sed, and in the neuter pronouns quid, quod, illud, istud, and aliud, anciently alid. Otherwise, the ending d was considered barbarous, Prisc. p. 686 P.
    III.
    The letter d represents regularly an original Indo-Germanic d, in Greek d, but which in German becomes z, in Gothic t, and in Anglo-Saxon t: cf. Gr. hêdomai, Sanscr. svad, Germ. süss, Angl.-Sax. svēte (sweet), with Lat. suadeo; domare with Gr. damaô, Germ. zähmen, Eng. tame; domus with demô, timber, O. H. Germ. zimber; duo with duô, zwei, two. But it is also interchanged with other sounds, and thus sometimes represents—
    1.
    An original t: mendax from mentior; quadraginta, quadra, etc., from quatuor.—
    2.
    An original r: ar and ad; apur or apor and apud; meridies and medidies, audio and auris; cf. arbiter, from ad-beto; arcesso for ad-cesso.—
    3.
    An original l: adeps, Gr. aleipha; dacrima and lacrima, dingua and lingua; cf. on the contrary, olere for odere, consilium and considere, Ulixes from Odusseus (v. Corss. Ausspr. 1, 223).—
    4.
    An original s: Claudius, from the Sabine Clausus, medius and misos; and, on the contrary, rosa and rhodon. —
    5.
    A Greek th: fides, pistis; gaudere, gêtheô; vad-i-monium (from va-d-s, vadis), aethlon.
    IV.
    In the oldest period of the language d was the ending of the ablat. sing. and of the adverbs which were originally ablatives (cf. Ritschl, Neue Plaut. Excur. I.; Brix ad Plaut. Trin. Prol. 10): pu CNANDO, MARID, DICTATORED, IN ALTOD MARID, NAVALED PRAEDAD on the Col. Rostr.; DE SENATVOS SENTENTIAD (thrice) IN OQVOLTOD, IN POPLICOD, IN PREIVATOD, IN COVENTIONID, and the adverbs SVPRAD SCRIPTVM EST (thrice), EXSTRAD QVAM SEI, and even EXSTRAD VRBEM, in S. C. de Bacch. So intra-d, ultra-d, citra-d, contra-d, infra-d, supra-d; contro-d, intro-d, etc.; and probably interea-d, postea-d. Here too belongs, no doubt, the adverb FACILVMED, found in the last-mentioned inscription. But this use of the d became antiquated during the 3d century B.C., and is not found at all in any inscription after 186 B. C. Plautus seems to have used or omitted it at will (Ritschl, Neue Plaut. Excurs. p. 18: Corss. Ausspr. 1, 197; 2, 1008).
    2.
    D final was also anciently found—
    a.
    In the accus. sing. of the personal pronouns med, ted, sed: INTER SED CONIOVRASE and INTER SED DEDISE, for inter se conjuravisse and inter se dedisse, in the S. C. de Bacch. This usage was retained, at least as a license of verse, when the next word began with a vowel, even in the time of Plautus. But in the classic period this d no longer appears. —
    b.
    In the imperative mood;

    as estod,

    Fest. p. 230. The Oscan language retained this ending (v. Corss. Ausspr. 1, 206).—
    c.
    In the preposition se-, originally identical with the conjunction sed (it is retained in the compound seditio); also in red-, prod-, antid-, postid-, etc. ( redire, prodire, etc.); and in these words, too, it is a remnant of the ancient characteristic of the ablative (v. Corss. Ausspr. 1, 200 sq.; Roby, Lat. Gr. 1, 49).
    V.
    As an abbreviation, D usually stands for the praenomen Decimus; also for Deus, Divus, Dominus, Decurio, etc.; over epitaphs, D. M. = Diis Manibus; over temple inscriptions, D. O. M. = Deo Optimo Maxumo; in the titles of the later emperors, D. N. = Dominus Noster, and DD. NN. = Domini Nostri. Before dates of letters, D signified dabam, and also dies; hence, a. d. = ante diem; in offerings to the gods, D. D. = dono or donum dedit; D. D. D. = dat, dicat, dedicat, etc. Cf. Orell. Inscr. II. p. 457 sq.
    The Romans denoted the number 500 by D; but the character was then regarded, not as a letter, but as half of the original Tuscan numeral (or CI[C ]) for 1000.

    Lewis & Short latin dictionary > d

  • 5 imago

    ĭmāgo, ĭnis, f. [cf. imitor], an imitation, copy of a thing, an image, likeness (i. e. a picture, statue, mask, an apparition, ghost, phantom; the latter only poet. and in post-Aug. prose; cf.: simulacrum, effigies, statua, sigillum): imago ab imitatione dicta, Paul. ex Fest. p. 112 Müll.; cf.: imago dicitur quasi imitago, Porphyr. Hor. C. 1, 12, 4.
    I.
    Lit.
    A.
    In gen., a representation, likeness (usu. of a person), statue, bust, picture:

    Spartiates Agesilaus neque pictam neque fictam imaginem suam passus est esse... unus Xenophontis libellus in eo rege laudando facile omnes imagines omnium statuasque superavit,

    Cic. Fam. 5, 12, 7:

    Demosthenes, cujus nuper inter imagines tuas ac tuorum imaginem ex aere vidi,

    id. Or. 31, 110:

    Epicuri in poculis et in anulis,

    id. Fin. 5, 1, 3: hominis imaginem gypso e facie ipsa primus omnium expressit ceraque in eam formam gypsi infusa emendare instituit Lysistratus Sicyonius, Plin. 35, 12, 44, § 153:

    Africani,

    Cic. Rep. 6, 10:

    mulieris,

    Quint. 7, 7, 5:

    Antigoni,

    id. 2, 13, 12:

    depictam in tabula sipariove imaginem rei,

    id. 6, 1, 32:

    si in tabula mea aliquis pinxerit velut imaginem,

    Gai. Inst. 2, 78:

    cereae,

    Hor. Epod. 17, 76; id. S. 1, 8, 43:

    ut dignus venias hederis et imagine macra,

    Juv. 7, 29:

    hoc tibi sub nostra breve carmen imagine vivat,

    Mart. 9, 1:

    epistula atque imago me certum fecit,

    i. e. the image on the seal, the signet, Plaut. Ps. 4, 6, 35; 4, 2, 29; 4, 7, 105:

    nunc amici anne inimici sis imago, Alcesime, mihi, sciam,

    i. e. will act like a friend, Plaut. Cas. 3, 1, 1.—
    2.
    A phantom, ghost, apparition:

    infelix simulacrum atque ipsius umbra Creusae Visa mihi ante oculos et nota major imago,

    Verg. A. 2, 773; cf.:

    et nunc magna mei sub terras ibit imago,

    shade, spirit, Verg. A. 4, 654; Plin. Ep. 7, 27, 6; cf. id. ib. 1:

    non vanae redeat sanguis imagini,

    Hor. C. 1, 24, 15:

    (somnus) Vanum nocturnis fallit imaginibus,

    Tib. 3, 4, 56; cf. Hor. C. 3, 27, 40; Suet. Aug. 94; id. Calig. 50:

    te videt in somnis, tua sacra et major imago humana turbat pavidum,

    Juv. 13, 221:

    quid natum totiens falsis Ludis imaginibus?

    phantoms, Verg. A. 1, 408:

    ubique pavor et plurima mortis imago,

    id. ib. 2, 369; cf.:

    repetitaque mortis imago,

    Ov. M. 10, 726:

    lurida mortis imago,

    Petr. 123, v. 257:

    varia pereuntium forma et omni imagine mortium,

    Tac. H. 3, 28:

    caesorum insepultorumque,

    id. A. 1, 62:

    supremorum (i. e. funeris) imago,

    id. H. 4, 45.— Poet.:

    genitiva (with forma),

    natural shape, figure, Ov. M. 3, 331; so,

    rudis et sine imagine tellus (= informis),

    shapeless, id. ib. 1, 87.—
    B.
    In partic., an ancestral image of a distinguished Roman (of one who had been aedile, praetor, or consul; usually made of wax, and placed in the atrium of a Roman house, and carried in funeral processions.—
    (α).
    In plur.: obrepsisti ad honores errore hominum, commendatione fumosarum imaginum, quarum simile habes nihil praeter colorem, of smoky (i. e. old) ancestral images, Cic. Pis. 1, 1; cf. Sen. Ben. 3, 28, 1; Plin. 35, 2, 2, § 6:

    si quid deliquero, nullae sunt imagines, quae me a vobis deprecentur,

    no ancestors of distinction, Cic. Agr. 2, 36, 100; cf.:

    quia imagines non habeo et quia mihi nova nobilitas est,

    Sall. J. 85, 25:

    qui imagines familiae suae consecuti sunt,

    Cic. Agr. 2, 1, 1:

    homo veteris prosapiae ac multarum imaginum,

    Sall. J. 85, 10:

    majorum imagines,

    id. ib. 5, 5; Suet. Vesp. 1:

    multis in familia senatoriis imaginibus,

    id. Aug. 4:

    esto beata, funus atque imagines Ducant triumphales tuum,

    Hor. Epod. 8, 11:

    qui stupet in titulis et imaginibus,

    id. S. 1, 6, 17; Plin. 35, 2, 2, § 6 sqq.; Prop. 2, 13, 19; Suet. Vesp. 19.—
    (β).
    In sing. (rare):

    jus imaginis,

    Cic. Verr. 2, 5, 14, § 36:

    imaginis ornandae causa,

    id. Sest. 8, 19:

    vir honoratissimae imaginis futurus ad posteros,

    Liv. 3, 58, 2:

    clarum hac fore imagine Scaptium,

    would become an aristocrat, id. 3, 72, 4, v. Weissenb. ad loc.:

    Tunc Cotta ne imago Libonis exsequias posterorum comitaretur censuit,

    Tac. A. 2, 32.
    II.
    Transf., a reverberation of sound, an echo (mostly poet.):

    (mellaria facere oportet) potissimum ubi non resonent imagines,

    Varr. R. R. 3, 16, 12:

    concava pulsu Saxa sonant, vocisque offensa resultat imago,

    Verg. G. 4, 50; cf. Sil. 14, 365:

    alternae deceptus imagine vocis: Huc coëamus ait... Coëamus retulit Echo,

    Ov. M. 3, 385:

    cujus recinit jocosa Nomen imago,

    Hor. C. 1, 12, 4; so,

    jocosa Vaticani montis,

    id. ib. 1, 20, 8:

    vaga,

    Val. Fl. 3, 596.
    III.
    Trop.
    A.
    In gen., an image or likeness of a thing formed in the mind, a conception, thought, imagination, idea:

    Scipionis memoriam atque imaginem sibi proponere,

    Cic. Lael. 27, 102:

    magnam partem noctium in imagine tua vigil exigo,

    Plin. Ep. 7, 5, 1:

    Verginium cogito, Verginium video, Verginium jam vanis imaginibus audio,

    id. ib. 2, 1, 12: imagines, quae eidôla nominant, quorum incursione non solum videmus, sed etiam cogitamus, Cic. Fin. 1, 6, 21; cf.:

    imagines extrinsecus in animos nostros per corpus irrumpere,

    id. Ac. 2, 40, 125: plena sunt imaginum omnia, nulla species cogitari potest nisi pulsu imaginum, etc.; id. Div. 2, 67, 137 sq.: unum aliquem te ex barbatis illis, exemplum imperii veteris, imaginem antiquitatis, columen rei publicae diceres intueri, an image of the olden time, id. Sest. 8, 19; cf.:

    expressam imaginem vitae quotidianae videre,

    id. Rosc. Am. 16, 47:

    quidnam illi consules dictatoresve facturi essent, qui proconsularem imaginem tam saevam ac trucem fecerint, i. e. by cruelty in office,

    Liv. 5, 2, 9:

    naturae... urbis et populi,

    Cic. Rep. 2, 39 fin.:

    justitiae,

    Quint. 2, 20, 6:

    virtutis,

    id. 10, 2, 15:

    similitudines ad exprimendas rerum imagines compositae,

    id. 8, 3, 72: illae rerum imagines, quas vocari phantasias indicavimus, id. 10, 7, 15:

    conscripta formantur imagine templa,

    plans, Stat. S. 3, 1, 117:

    scipione determinata prius templi imagine in solo,

    Plin. 28, 2, 4, § 15:

    tua, pater Druse, imago,

    memory, Tac. A. 1, 13:

    magna illic imago tristium laetorumque,

    recollection, id. ib. 2, 53:

    si te nulla movet tantae pietatis imago,

    Verg. A. 6, 405.—
    B.
    In partic.
    1.
    In rhet., a figurative representation, similitude, comparison:

    comparabile est, quod in rebus diversis similem aliquam rationem continet. Ejus partes sunt tres: imago, collatio, exemplum. Imago est oratio demonstrans corporum aut naturarum similitudinem, etc.,

    Cic. Inv. 1, 30, 49; cf.:

    imago est formae cum forma cum quadam similitudine collatio,

    Auct. Her. 4, 49, 62; Sen. Ep. 59, 92; Quint. 6, 1, 28; Hor. S. 2, 3, 320; id. Ep. 1, 7, 34.—
    2.
    With the idea predominating of mere imitation, in opp. to what is original or real, a mere form, image, semblance, appearance, shadow:

    consectatur nullam eminentem effigiem virtutis, sed adumbratam imaginem gloriae,

    Cic. Tusc. 3, 2, 3:

    nos veri juris germanaeque justitiae solidam et expressam effigiem nullam tenemus: umbra et imaginibus utimur,

    id. Off. 3, 17, 69; cf.:

    non in umbra et imagine civitatis, etc.,

    id. Rep. 2, 30; and:

    umbram equitis Romani et imaginem videtis,

    id. Rab. Post. 15, 41:

    haec ars tota dicendi, sive artis imago quaedam est et similitudo, habet hanc vim, ut, etc.,

    id. de Or. 2, 87, 356:

    judiciorum,

    only the appearance of courts, id. Sest. 13, 30; cf.:

    imaginem rei publicae nullam reliquissent,

    id. Agr. 2, 32, 88:

    his quoque imaginibus juris spretis,

    Liv. 41, 8, 10:

    imaginem retinendi largiendive penes nos, vim penes Parthos,

    Tac. A. 15, 14:

    habitu et ore ad exprimendam imaginem honesti exercitus,

    the pretence, id. ib. 16, 32; 6, 27; id. H. 1, 84; 3, 70:

    qui faciem eloquentiae, non imaginem praestaret,

    id. Or. 34:

    nec imagine rerum, sed rebus incendit,

    Quint. 10, 1, 16:

    in falsa rerum imagine detineri,

    id. 10, 5, 17; cf.:

    nullo quippe alio vincis discrimine, quam quod illi (hermae) marmoreum caput est, tua vivit imago,

    Juv. 8, 55.—
    3.
    A representative: non in effigies mutas divinum (Augusti) spiritum transfusum;

    sed imaginem veram, caelesti sanguine ortam, intellegere discrimen, etc.,

    Tac. A. 4, 52.—
    4.
    That which suggests or recalls something by resemblance, a reminder:

    me consolatur recordatio meorum temporum, quorum imaginem video in rebus tuis,

    Cic. Fam. 1, 6, 2:

    a Corbulone petierat, ne quam imaginem servitii Tiridates perferret,

    nothing to suggest slavery, Tac. A. 15, 31; cf.:

    moriar, si praeter te quemquam reliquum habeo, in quo possim imaginem antiquae et vernaculae festivitatis adgnoscere,

    Cic. Fam. 9, 15, 2.

    Lewis & Short latin dictionary > imago

См. также в других словарях:

  • The Original of Laura —   …   Wikipedia

  • The Original All Blacks — The 1905 Original All Blacks. The Original All Blacks (also known simply as The Originals ) were the first New Zealand national rugby union team to tour outside Australasia. They toured the British Isles, France and the United States of America… …   Wikipedia

  • The Original Latin Kings of Comedy — is a 2002 stand up comedy film directed by Jeb Brien, and the sequel to The Original Kings of Comedy . This special starred: George Lopez, Cheech Marin, Joey Medina, Alex Reymundo, and Paul Rodríguez. Nayib Estéfan deejayed. It was shot entirely… …   Wikipedia

  • The Revolution Will Not Be Televised — Infobox Single Name = The Revolution Will Not Be Televised Artist = Gil Scott Heron Album = Pieces of a Man A side = Home Is Where the Hatred Is Released = 1971 Format …   Wikipedia

  • The Cradle Will Rock — Infobox Musical name= The Cradle Will Rock subtitle= caption= music= Marc Blitzstein lyrics= Marc Blitzstein book= Marc Blitzstein basis= productions= 1938 Broadway 1947 Broadway revival 1964 Off Broadway revival 1983 Off Broadway revival 1985… …   Wikipedia

  • The Original Lo-Fi — Infobox Album | Name = The Original Lo Fi Type = Box Set Artist = Baby Bird Released = November 2002 (UK) Recorded = 1990s Genre = Lo fi/Indie Length = 345:45 Label = Sanctuary Records Producer = Stephen Jones Reviews = * Allmusic Rating|4|5… …   Wikipedia

  • The Kids Will Have Their Say — Infobox Album Name = The Kids Will Have Their Say Type = studio Artist = SSD Released = 1982 Recorded = December 1981 to May 1982 at Active Sound and Radiobeat Genre = Hardcore punk, Thrashcore Length = 21 min Label = Dischord/X Claim Producer =… …   Wikipedia

  • Dusty - The Original Pop Diva — Infobox Musical name= Dusty The Original Pop Diva caption= logo music= Songs recorded by Dusty Springfield lyrics= book= John Michael Howson David Mitchell Melvyn Morrow basis= productions= 2006 Australia awards= Dusty The Original Pop Diva is an …   Wikipedia

  • The Price Is Right (U.S. game show) — The Price Is Right Format Game show Created by Mark Goodson Bill Todman Directed b …   Wikipedia

  • The Little Mermaid (musical) — The Little Mermaid Playbill cover at the Lunt Fontanne Theatre Music Alan Menken Lyrics …   Wikipedia

  • The Colbert Report — logo Genre Comedy, Satire, News parody …   Wikipedia

Поделиться ссылкой на выделенное

Прямая ссылка:
Нажмите правой клавишей мыши и выберите «Копировать ссылку»